Outside of the usual numerous blood shots, the main focus was the battle at the end. There wasn’t any overlap with anything else that was going on.” “The main difference is that it’s one big linear focus. “The shot count of 375 doesn’t sound like much but they were extremely complex,” Frazer explains. We looked at it as if we were making one and a half or two episodes of the show.” Post-production lasted for seven to eight months. “Apart from the Valhalla stuff, there wasn’t anything crazy dissimilar to what we’ve done before. “We have to start from a point of authenticity and then take some creative license because we’re still making a piece of entertainment.” The methodology did not change going from a series to feature format. ![]() “This is not a documentary,” observes Richard Frazer, VFX Supervisor at BlueBolt. ![]() The story revolves around Uhtred of Bebbanburg attempting to unite England after the death of King Edward. ![]() After being the sole visual effects vendor on 10 th century British saga The Last Kingdom, BlueBolt gets to apply five seasons worth of expertise to the Netflix feature film The Last Kingdom: Seven Kings Must Die.
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